21/18
Based on the comic book “Here” by Richard McGuire
Synopsis
A generational story about families and the special place they live, sharing love, loss, laughter and life.. It was first published as a strip in the comic book magazine “Raw” in 1989 and was expanded into a 300-page graphic novel in 2014.. Richard’s father at one point early in the film names several towns that he claims are along the Pennsylvania Turnpike, when in fact they are all towns that are along Interstate 80 in PA, which hadn’t even been built at the time.. [from the trailer] Richard: You know, if you want, you could spend the rest of the night here. Margaret: I could spend the rest of my life here..
Clarinet Concerto, Parts
Contains They Stooge to Conga (1943). 1 & 2Written by Artie ShawPerformed by Artie Shaw & His OrchestraCourtesy of RCA RecordsBy arrangement with Sony Music Entertainment. LIKES:Good actingRealistic about many aspects of lifeDynamic use of set/locationCreative transitionsAnti-aging technologySome fascinating connections at timesLoved the art at timesRelevant/RelatableEmotionalSummary: The film’s advertising didn’t lie to you, here’s a film that is truly one of the most unique concepts we’ve seen in a while. The film relies on you being able to appreciate the fixation of a single camera/location and tell a story about the impact of time on life and the people who go through it. Zemeckis accomplished this on many levels and managed to use the space well and keep the shot dynamic despite being so static.
Here is a film that relies heavily on being relevant and the cast to make that relevance come alive
The dynamic changes in the set add to the charm of this piece, with the idea of the changes in furniture being a feature of the house itself being impressive and serving as a metaphorical window into life. I loved seeing this room inhabited and the families that each called the mansion home, seeing their interactions, auras and personalities shine a different light on the scene and tell their own micro-stories. The transitions were done through the outlines of photographs, drawing the eye before rippling into a new scene, the technique is fluid and rarely overdone for me. It had many facets that were creative but never lost its grounding in realism to make this a beautiful and balanced piece. As for the story and acting, a list of top notch talent helped bring this film to life and achieve its goal of being a look at life.
The acting is there to give words to the visions, with much of the poetic dialogue without being too Shakespearean in its delivery
As for the story, it rarely strays away from the people living life, taking snippets from various periods and reflecting them across the times. The highs and lows are captured beautifully on screen and Zemeckis’ vision helps convey the concepts and hit you with the emotional punch this film promised. As the relevant narratives struck me, they only further strengthened my connection to the film and I found my inner self reflecting on what this film had to teach me. Bettany was a treat to watch and while he isn’t as engaging or dynamic as his Disney films, he still manages to impress me with a stellar performance of the Boomer generation dealing with the rapid changes that are affecting the world. Wright’s return to the screen is fierce as his character is torn between fun and frenzy, a brilliant representation of the struggles that have affected so many in his place during the great decades of change.
It’s a chemistry that works, this family atmosphere that feels so natural and almost authentic with strong leads who drive the characters and never fall too far into Hollywood tropes
Hanks is, of course, just as talented as ever, incorporating elements of his other characters into every moment of his life and doing so with the same class and vigor that he almost always brings to the screen.
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